…to the official Brian W. Aldiss website. As well as being a distinguished SF writer, Aldiss is also an important mainstream novelist, a poet, an essayist, a dramatist, an SF historian and critic whose work has been published in dozens of countries around the world.In 2015 Brian wrote…I am trying to keep this quiet, but in August I am going to celebrate my ninetieth birthday.
My publishers will celebrate by publishing a limited edition in facsimile of my teenage collection of stories entitled ”Whip Donovan”. These wonderful survivors are liberally illustrated by my watercolour paintings. They were executed when I should have been studying theology…
I am currently working on a long novel set in Russia in the 18th century. Typical SF, of course.
Harper Voyager will soon reprint everything I wrote in the sixties decade (another case of missing theology…)
Fantastically now re-released Hothouse (Penguin Modern Classics)
Re-released Greybeard (S.F. Masterworks)
‘The titan of science fiction.’ Telegraph
‘Brian Aldiss is one of the most influential – and one of the best – SF writers Britain has ever produced.’ Iain M Banks
‘The best contemporary writer of science fiction.’ Guardian
‘One of our best novelists.’ William Boyd
In The Press
In Why human educators must assert control as bots enter the classroom Lucas Kwong, a professor of English at New York City College of Technology, cites Supertoys Last All Summer Long as staple fare in the science fiction genre for the “‘boy and his robot’ trope”. The Venturebeat article goes on to discuss the merits of automation in the classroom and is a fascinating read.
Graham Coxon, the guitarist from the band Blur is a Brian Aldiss fan. In this New Statesman article Graham mentions the following novels as recent inspiration to him: The Hand-Reared Boy, Hothouse, Super-State
In a recent article for the Evening Standard John Sutherland quite rightly highlights our on-going fascination with Mary Shelley’s Frankenstein: “Why does Frankenstein matter all these years later? Partly because of the romance of its conception, but mostly because Brian Aldiss, the dean of British science fiction, saw it as foundational. Why? Because it foresees the future: man plays God and creates life through science — then suffers as the creation turns on its creator.” John Sutherland’s Frankenstein’s Brain will be published by Icon Books in September.
Eastercon ’22: My Father’s Things: Remembering Brian Aldiss
Friday 15th April 2022:
Nicholas Whyte introduces a unique event with Wendy Aldiss and editor Scott Pack, celebrating Brian Aldiss.
Wendy will share photographs from her project My Father’s Things, including some not in the final book, as well as memories of her father. Scott will discuss his experience of working with Brian as well as some of the amusing, moving, and indiscreet stories Brian shared with him over the years. An entertaining and enlightening look at the life of a fascinating and unforgettable writer.
More info: https://guide.reclamation2022.co.uk/
Curtis Brown & Brightfount
From the brightfount.com website:
Our name comes from Brian Aldiss’ first novel, the bookstore farce The Brightfount Diaries. In the first half of the book, there is a sub-plot revolving around ‘saucer books‘. Aldiss uses this as an excuse to stretch his imaginary muscle:
“Supposing these beings from another world arrived. Imagine them as dry, detached intellects in a sponge-like body; they casually present man with the secret of anti-gravity. In the succeeding outburst of space travel and planetary exploration, what an orgy of – not adventure as the rocket-writers predict – but learning would follow! The barriers of every science would be broken down: geology, physiology….“
It’s the most powerful writing in the book, a shock of revolutionary ideas embedded in a social comedy. We like to think of this section of the book as Aldiss finding his voice and his passion. We want Brightfount to be a place where you find your voice and your passion
More info here: brightfount.com/mission/